May 19, 2011

The Velvet Underground & Nico: Just Another Rock 'n Roll Album?

The Velvet Underground & Nico, the debut album of The Velvet Underground, is an innovative and inspiring piece of art and literature. It is an album, and The Velvet Underground is a band, that changed the history of rock ‘n roll. Although it may not be obvious in their record sales, only two of their albums even barely made it onto the Billboard Top 200, The Velvet Underground had a far reaching impact on those who listened to them… and even those who didn’t.

In the tumultuous and changing times of the 1960s, The Velvet Underground fit right in by standing out. The Velvet Underground is one of the first and few bands to openly talk about drugs and sex. Usually songs will allude to drug use and sex, but The Velvet Underground far exceeded that barrier with several songs on their debut album talking openly about sex and drugs, one song is actually called Heroin. The Velvet Underground & Nico is both culturally and historically valuable in the sense that it not only reflected the culture of that time, but added to it, and helped revolutionize it. They took in the new counterculture of the 1960s and their music reflects their observations, in songs such as Venus in Furs and Run Run Run. In the hippie movement, student protests, and the sexual revolution young people were beginning to find their place in the world and really test their boundaries. The Velvet Underground, a band full of young adults, some of the recent college graduates, was also pushing the boundaries. They not only reflected this ‘60s counterculture, but revolutionized rock ‘n roll by speaking openly about things that had only ever been alluded to before. This album can be considered musically valuable for many of the same reasons. Not only were they unique in their topic choice, but instrumentally they had a unique sound. John Cale was extremely experimental in his music, including the electric viola on many songs, which provided for The Velvet Underground’s unique sound.

The Velvet Underground did not necessarily change history, it did not have enough of a following for it to have a large impact during its time.  Instead, they added to the radical changes of the 1960s.  The Velvet Underground had a small cult following.  They never became very mainstream, but some believe that this album changed rock 'n roll.  The Velvet Underground and their album, The Velvet Underground & Nico, were ahead of their time, which can be seen in them outwardly singing about drugs and sex.  The Velvet Underground & Nico would be a good album to study when learning about the 1960s because many of the songs have a deeper meaning.  It reflects the events of the 1960s.

"Everyone should be encouraged ... inspiration and artistic freedom is the cornerstone of rock and roll." ~John Cale

Not Your Average Sunday Morning. Analysis and Origin of 'Sunday Morning'

Written by Lou Reed and John Cale, Sunday Morning was first released as a single in 1966 and was then released on The Velvet Underground and Nico in 1967. The song was recorded in November of 1966 at Mayfair Studios in New York City under the Verve Records label. Although Sunday Morning is the first track on the album, it was the last to be recorded. Another interesting fact about the song is that it featured an instrument called the celesta, which was played by John Cale. The celesta is a keyboard instrument, similar to the piano, but when played, sounds an octave higher than the written pitch.  
When I listened to this song, I had very mixed emotions. At first, I found it happy and relaxing, it made me think about the way that I feel on Sunday morning. But as the song continued to play, I found myself getting sad and tired. As I thought about this song and the album as a whole, I began to think about a drug trip and how it is very similar to this song. In the beginning, it may start out as a happy and enjoyable experience, but when coming down from a high, depression and exhaustion set in.  Another reason why I relate the song to a drug trip is the line “watch out the world’s behind you."  This line brings a sense of paranoia which is usually associated with a drug trip. I find this song so interesting because the melody of the song is so peaceful, but the lyrics seem to suggest the opposite.

Does The Velvet Underground Condone Heroin? Analysis and Origin of 'Heroin'

Heroin was written by Lou Reed in his days at Syracuse University (‘60-‘64), which means that he had to of been a mere eighteen at the time he wrote it. Heroin was originally recorded in The Velvet Underground’s New York City loft in 1965. It featured Lou Reed, Sterling Morrison, and John Cale. Unlike other songs on their debut album, such as Venus in Furs, this ’65 version is almost identical to the one that appears on The Velvet Underground & Nico. While recording the final version of the song for the album, Maureen Tucker stopped playing the drums at around the five minute mark because she got lost. Although this was a mistake, they kept this lack of drums because it added to the eerie feeling of the song.

When listening to Heroin for the first time, I have to admit that I was shocked to discover that I really enjoyed it. The song is more upbeat than I imagined it to be, since it is, after all, a song about injecting heroin. The song starts out slow and melodic, you can easily hear Lou Reed’s guitar, Maureen Tucker’s steady drums, Sterling Morrison’s rhythm guitar, and John Cale’s smooth electric viola. As the song progresses the tempo picks up and the instruments are joined by Lou Reed’s deep voice. The upbeat and soothing song then leads to chaos with the absence of Tucker’s drums and the screeching of Cale’s viola. The song then returns to the soft melody with which it began.

At the start of the song it seems as if Lou Reed is condoning taking heroin, with both the soothing beat and the lyrics that say “'cause it makes me feel like I'm a man, when I put a spike into my vein.” Reed was using heroin to block out and numb the rest of the world with its “politicians makin' crazy sounds, and everybody puttin' everybody else down, and all the dead bodies piled up in mounds.” When listening to the lyrics more closely, it is clear that Reed does not believe that taking heroin is good. He says, “heroin, be the death of me. Heroin, it's my wife and it's my life, because a mainer to my vein, leads to a center in my head, and then I'm better off and dead.” Reed realizes that it is consuming and controlling his entire life and that, if he does not quit it soon, it will most definitely end his life. It is a debated fact whether or not The Velvet Underground is condoning the use of heroin. One critic, Mark Deming, wrote that "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners."  In my opinion, though, Reed is clearly condemning the use of heroin because of its strong control on an addicts life.

While it may be clear to some that Reed was writing the song to condemn the use of heroin, it was not clear to all. In an interview, Reed said in a 1971 interview with Creem magazine that, “I meant those songs to sort of exorcise the darkness, or the self-destructive element in me, and hoped other people would take them the same way. But when I saw how people were responding to them, it was disturbing. Because, like, people would come up and say, 'I shot up to 'Heroin,' things like that. For a while, I was even thinking that some of my songs might have contributed formatively to the consciousness of all these addictions and things going down with the kids today. But I don't think that anymore; it's really too awful a thing to consider.” While researching Heroin, I found a comment from a person explaining the significance of the song in their life. They explained that they had always enjoyed the song but that when a friend of theirs heard it, he thought it to be condoning heroin. This friend, a heroin addict, ended up overdosing on heroin while listening to the song and is now in a heroin-induced coma. This person’s friend just used heroin, as most addicts do, to nullify and numb his life. The lyrics of The Velvet Underground song became true in this person’s life. The Velvet Underground sends the message, through this song, that heroin is something that will just lead to numb disappointment and, eventually, death.

Not only do the lyrics illustrate the effects of heroin, but the music seems to take the listener through the experience one gets from injecting heroin. The music starts out smooth and melodic, and the addict, as Reed says, “feels like a man” when he injects it. Then the music gets louder, showing that the drugs are kicking in. Near the end of the song Cale’s viola starts screeching, illustrating the addict’s loss of reality and control. The drugs are working in full force at this point. Then, as the effects wear off, it seems, the music returns to the soothing and harmonious sound that it had at the start. This song could, not only be seen as a single experience with heroin, but also the affect of heroin over one’s lifetime. It begins with a person clean of drugs. Then, at the start of their drug use, the person is enjoying the sensations that heroin causes. As their addiction to heroin increases, the addict begins to lose control. Heroin is now their sole love, as Reed says, “heroin, it's my wife and it's my life.” Their consumption by drugs can be seen in the screeching viola. Then, the song returns to the smooth music it was at the start. This can be seen as the addict’s recovery but, and this is the case for most addicts, it probably symbolizes the person’s death.

The Underground Experience

This is a documentary by PBS Masters about The Velvet Underground and their relationship with Andy Warhol. The footage features Andy Warhol, The Velvet Underground band members, Edie Sedgwick and other Factory regulars.


This is an interview of Lou Reed in 1993, discussing his career with The Velvet Underground and what it was like to work with Andy Warhol.

Venus in Furs

Lyrics

Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Comes in bells, your servant, don't forsake him
Strike, dear mistress, and cure his heart

Downy sins of streetlight fancies
Chase the costumes she shall wear
Ermine furs adorn the imperious
Severin, Severin awaits you there

I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears

Kiss the boot of shiny, shiny leather
Shiny leather in the dark
Tongue of thongs, the belt that does await you
Strike, dear mistress, and cure his heart

Severin, Severin, speak so slightly
Severin, down on your bended knee
Taste the whip, in love not given lightly
Taste the whip, now plead for me

I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears

Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart


Is The Velvet Underground Sadomasochistic? Analysis and Origin of 'Venus in Furs'

Venus in Furs is considered one of the Velvet Underground’s most popular songs. The lyrics tell the story of a man, Severin, who is extremely infatuated with a woman and wants to be her sex slave, saying “comes in bells, your servant, don't forsake him. Strike, dear mistress, and cure his heart." This song was inspired by the 1870 novel, Venus in Furs, by Leopold von Sacher-Masoch. The word sadomasochism, meaning an "interaction, especially sexual activity, in which one person enjoys inflicting physical or mental suffering on another person, who derives pleasure from experiencing pain," comes from the last names of Leopold von Sacher-Masoch and Marquis de Sade, both authors who wrote of dominance. Venus in Furs, the novel, tells the story of a man, Severin, who is mentioned in the song, who is so besotted with a woman, Wanda, that he offers to be her sex slave. At first, she is disgusted by this idea but she begins to enjoy it exponentially. Near the end of the novel, Wanda becomes infatuated with another man and chooses to be his sexual servant, causing Severin to lose the desire to be her sex slave. Many songs since this 1967 Velvet Underground tune have been made alluding to “venus in furs,” although at this point they are referencing the song more than the novel.  It is believed that The Velvet Underground chose to use this song because it so reflected the sexual revolution and the counterculture of the 1960s.

The music in Venus in Furs uses similar instruments to the Beatles songs, I’m Only Sleeping and Love You To, from their 1966 album, Revolver. Instruments used in Venus in Furs include John Cale’s cacophonous viola and Lou Reed’s Ostrich guitar, which is a guitar with all four strings of the same note, albeit different octaves. John Cale was experimental with his music, playing various instruments throughout his time in The Velvet Underground. His unique style is prevalent throughout this song.

Sunday Morning

Lyrics

Sunday morning
praise the dawning
It's just a restless feeling by my side
Early dawning
Sunday morning
It's just the wasted years so close behind
Watch out the world's behind you
There's always someone around you who will call
It's nothing at all


Sunday morning
And I'm falling
I've got a feeling I don't want to know
Early dawning
Sunday morning
It's all the streets you crossed, not so long ago
Watch out the world's behind you
There's always someone around you who will call
It's nothing at all


Sunday morning
Sunday morning
Sunday morning