May 19, 2011

The Velvet Underground & Nico: Just Another Rock 'n Roll Album?

The Velvet Underground & Nico, the debut album of The Velvet Underground, is an innovative and inspiring piece of art and literature. It is an album, and The Velvet Underground is a band, that changed the history of rock ‘n roll. Although it may not be obvious in their record sales, only two of their albums even barely made it onto the Billboard Top 200, The Velvet Underground had a far reaching impact on those who listened to them… and even those who didn’t.

In the tumultuous and changing times of the 1960s, The Velvet Underground fit right in by standing out. The Velvet Underground is one of the first and few bands to openly talk about drugs and sex. Usually songs will allude to drug use and sex, but The Velvet Underground far exceeded that barrier with several songs on their debut album talking openly about sex and drugs, one song is actually called Heroin. The Velvet Underground & Nico is both culturally and historically valuable in the sense that it not only reflected the culture of that time, but added to it, and helped revolutionize it. They took in the new counterculture of the 1960s and their music reflects their observations, in songs such as Venus in Furs and Run Run Run. In the hippie movement, student protests, and the sexual revolution young people were beginning to find their place in the world and really test their boundaries. The Velvet Underground, a band full of young adults, some of the recent college graduates, was also pushing the boundaries. They not only reflected this ‘60s counterculture, but revolutionized rock ‘n roll by speaking openly about things that had only ever been alluded to before. This album can be considered musically valuable for many of the same reasons. Not only were they unique in their topic choice, but instrumentally they had a unique sound. John Cale was extremely experimental in his music, including the electric viola on many songs, which provided for The Velvet Underground’s unique sound.

The Velvet Underground did not necessarily change history, it did not have enough of a following for it to have a large impact during its time.  Instead, they added to the radical changes of the 1960s.  The Velvet Underground had a small cult following.  They never became very mainstream, but some believe that this album changed rock 'n roll.  The Velvet Underground and their album, The Velvet Underground & Nico, were ahead of their time, which can be seen in them outwardly singing about drugs and sex.  The Velvet Underground & Nico would be a good album to study when learning about the 1960s because many of the songs have a deeper meaning.  It reflects the events of the 1960s.

"Everyone should be encouraged ... inspiration and artistic freedom is the cornerstone of rock and roll." ~John Cale

Not Your Average Sunday Morning. Analysis and Origin of 'Sunday Morning'

Written by Lou Reed and John Cale, Sunday Morning was first released as a single in 1966 and was then released on The Velvet Underground and Nico in 1967. The song was recorded in November of 1966 at Mayfair Studios in New York City under the Verve Records label. Although Sunday Morning is the first track on the album, it was the last to be recorded. Another interesting fact about the song is that it featured an instrument called the celesta, which was played by John Cale. The celesta is a keyboard instrument, similar to the piano, but when played, sounds an octave higher than the written pitch.  
When I listened to this song, I had very mixed emotions. At first, I found it happy and relaxing, it made me think about the way that I feel on Sunday morning. But as the song continued to play, I found myself getting sad and tired. As I thought about this song and the album as a whole, I began to think about a drug trip and how it is very similar to this song. In the beginning, it may start out as a happy and enjoyable experience, but when coming down from a high, depression and exhaustion set in.  Another reason why I relate the song to a drug trip is the line “watch out the world’s behind you."  This line brings a sense of paranoia which is usually associated with a drug trip. I find this song so interesting because the melody of the song is so peaceful, but the lyrics seem to suggest the opposite.

Does The Velvet Underground Condone Heroin? Analysis and Origin of 'Heroin'

Heroin was written by Lou Reed in his days at Syracuse University (‘60-‘64), which means that he had to of been a mere eighteen at the time he wrote it. Heroin was originally recorded in The Velvet Underground’s New York City loft in 1965. It featured Lou Reed, Sterling Morrison, and John Cale. Unlike other songs on their debut album, such as Venus in Furs, this ’65 version is almost identical to the one that appears on The Velvet Underground & Nico. While recording the final version of the song for the album, Maureen Tucker stopped playing the drums at around the five minute mark because she got lost. Although this was a mistake, they kept this lack of drums because it added to the eerie feeling of the song.

When listening to Heroin for the first time, I have to admit that I was shocked to discover that I really enjoyed it. The song is more upbeat than I imagined it to be, since it is, after all, a song about injecting heroin. The song starts out slow and melodic, you can easily hear Lou Reed’s guitar, Maureen Tucker’s steady drums, Sterling Morrison’s rhythm guitar, and John Cale’s smooth electric viola. As the song progresses the tempo picks up and the instruments are joined by Lou Reed’s deep voice. The upbeat and soothing song then leads to chaos with the absence of Tucker’s drums and the screeching of Cale’s viola. The song then returns to the soft melody with which it began.

At the start of the song it seems as if Lou Reed is condoning taking heroin, with both the soothing beat and the lyrics that say “'cause it makes me feel like I'm a man, when I put a spike into my vein.” Reed was using heroin to block out and numb the rest of the world with its “politicians makin' crazy sounds, and everybody puttin' everybody else down, and all the dead bodies piled up in mounds.” When listening to the lyrics more closely, it is clear that Reed does not believe that taking heroin is good. He says, “heroin, be the death of me. Heroin, it's my wife and it's my life, because a mainer to my vein, leads to a center in my head, and then I'm better off and dead.” Reed realizes that it is consuming and controlling his entire life and that, if he does not quit it soon, it will most definitely end his life. It is a debated fact whether or not The Velvet Underground is condoning the use of heroin. One critic, Mark Deming, wrote that "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners."  In my opinion, though, Reed is clearly condemning the use of heroin because of its strong control on an addicts life.

While it may be clear to some that Reed was writing the song to condemn the use of heroin, it was not clear to all. In an interview, Reed said in a 1971 interview with Creem magazine that, “I meant those songs to sort of exorcise the darkness, or the self-destructive element in me, and hoped other people would take them the same way. But when I saw how people were responding to them, it was disturbing. Because, like, people would come up and say, 'I shot up to 'Heroin,' things like that. For a while, I was even thinking that some of my songs might have contributed formatively to the consciousness of all these addictions and things going down with the kids today. But I don't think that anymore; it's really too awful a thing to consider.” While researching Heroin, I found a comment from a person explaining the significance of the song in their life. They explained that they had always enjoyed the song but that when a friend of theirs heard it, he thought it to be condoning heroin. This friend, a heroin addict, ended up overdosing on heroin while listening to the song and is now in a heroin-induced coma. This person’s friend just used heroin, as most addicts do, to nullify and numb his life. The lyrics of The Velvet Underground song became true in this person’s life. The Velvet Underground sends the message, through this song, that heroin is something that will just lead to numb disappointment and, eventually, death.

Not only do the lyrics illustrate the effects of heroin, but the music seems to take the listener through the experience one gets from injecting heroin. The music starts out smooth and melodic, and the addict, as Reed says, “feels like a man” when he injects it. Then the music gets louder, showing that the drugs are kicking in. Near the end of the song Cale’s viola starts screeching, illustrating the addict’s loss of reality and control. The drugs are working in full force at this point. Then, as the effects wear off, it seems, the music returns to the soothing and harmonious sound that it had at the start. This song could, not only be seen as a single experience with heroin, but also the affect of heroin over one’s lifetime. It begins with a person clean of drugs. Then, at the start of their drug use, the person is enjoying the sensations that heroin causes. As their addiction to heroin increases, the addict begins to lose control. Heroin is now their sole love, as Reed says, “heroin, it's my wife and it's my life.” Their consumption by drugs can be seen in the screeching viola. Then, the song returns to the smooth music it was at the start. This can be seen as the addict’s recovery but, and this is the case for most addicts, it probably symbolizes the person’s death.

The Underground Experience

This is a documentary by PBS Masters about The Velvet Underground and their relationship with Andy Warhol. The footage features Andy Warhol, The Velvet Underground band members, Edie Sedgwick and other Factory regulars.


This is an interview of Lou Reed in 1993, discussing his career with The Velvet Underground and what it was like to work with Andy Warhol.

Venus in Furs

Lyrics

Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Comes in bells, your servant, don't forsake him
Strike, dear mistress, and cure his heart

Downy sins of streetlight fancies
Chase the costumes she shall wear
Ermine furs adorn the imperious
Severin, Severin awaits you there

I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears

Kiss the boot of shiny, shiny leather
Shiny leather in the dark
Tongue of thongs, the belt that does await you
Strike, dear mistress, and cure his heart

Severin, Severin, speak so slightly
Severin, down on your bended knee
Taste the whip, in love not given lightly
Taste the whip, now plead for me

I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears

Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart


Is The Velvet Underground Sadomasochistic? Analysis and Origin of 'Venus in Furs'

Venus in Furs is considered one of the Velvet Underground’s most popular songs. The lyrics tell the story of a man, Severin, who is extremely infatuated with a woman and wants to be her sex slave, saying “comes in bells, your servant, don't forsake him. Strike, dear mistress, and cure his heart." This song was inspired by the 1870 novel, Venus in Furs, by Leopold von Sacher-Masoch. The word sadomasochism, meaning an "interaction, especially sexual activity, in which one person enjoys inflicting physical or mental suffering on another person, who derives pleasure from experiencing pain," comes from the last names of Leopold von Sacher-Masoch and Marquis de Sade, both authors who wrote of dominance. Venus in Furs, the novel, tells the story of a man, Severin, who is mentioned in the song, who is so besotted with a woman, Wanda, that he offers to be her sex slave. At first, she is disgusted by this idea but she begins to enjoy it exponentially. Near the end of the novel, Wanda becomes infatuated with another man and chooses to be his sexual servant, causing Severin to lose the desire to be her sex slave. Many songs since this 1967 Velvet Underground tune have been made alluding to “venus in furs,” although at this point they are referencing the song more than the novel.  It is believed that The Velvet Underground chose to use this song because it so reflected the sexual revolution and the counterculture of the 1960s.

The music in Venus in Furs uses similar instruments to the Beatles songs, I’m Only Sleeping and Love You To, from their 1966 album, Revolver. Instruments used in Venus in Furs include John Cale’s cacophonous viola and Lou Reed’s Ostrich guitar, which is a guitar with all four strings of the same note, albeit different octaves. John Cale was experimental with his music, playing various instruments throughout his time in The Velvet Underground. His unique style is prevalent throughout this song.

Sunday Morning

Lyrics

Sunday morning
praise the dawning
It's just a restless feeling by my side
Early dawning
Sunday morning
It's just the wasted years so close behind
Watch out the world's behind you
There's always someone around you who will call
It's nothing at all


Sunday morning
And I'm falling
I've got a feeling I don't want to know
Early dawning
Sunday morning
It's all the streets you crossed, not so long ago
Watch out the world's behind you
There's always someone around you who will call
It's nothing at all


Sunday morning
Sunday morning
Sunday morning

Recording Process

The Velvet Underground and Nico was recorded in 1966 at Scepter Studios in New York City. The album was released on March 12th, 1967.  Three of the songs: Venus in Furs, I’m Waiting for the Man, and Heroin were rerecorded at T.T.G Studios in Hollywood California before the album’s 1967 release.


The Velvet Underground's Place in 1960s Music History

The Velvet Underground was not a popular band during its lifetime. Its popularity grew immensely after its demise. While they were still performing as a band, they hand a dedicated cult following. Although they were not high on the charts during their time, they have received a high place in the charts of musical history. According to besteveralbums.com, a website where people are able to rank albums on thousands of different charts, The Velvet Underground & Nico, The Velvet Underground’s debut album, has a high place on the charts. It is ranked the second best album of 1967, the fifth best album of the 1960s, and the eleventh best album of all time. According to PopVertex, a website which lists the one hundred greatest albums of all time, “from the early days of rock when records from Elvis Presley and Little Richard caught the attention of the public, right up to today's most important artists,” The Velvet Underground & Nico is ranked as the nineteenth greatest album of all time. It also holds a place on the Billboard Top 200 Chart, albeit lower down, at 171st. One particular song on their debut album, Heroin, received the 455th place on Rolling Stone's 500 Greatest Songs of All Time, as well as being included in the Rock and Roll Hall of Fame's list of 500 Songs that Shaped Rock and Roll. The Velvet Underground was never a mainstream band, however, they never yearned to be, but they have accumulated a strong following over the past forty-six years since their formation.

Heroin

Lyrics

I don't know just where I'm going
But I'm gonna try for the kingdom, if I can
'cause it makes me feel like I'm a man
When I put a spike into my vein
And I'll tell ya, things aren't quite the same
When I'm rushing on my run
And I feel just like Jesus' son
And I guess that I just don't know
And I guess that I just don't know

I have made the big decision
I'm gonna try to nullify my life
'cause when the blood begins to flow
When it shoots up the dropper's neck
When I'm closing in on death
And you can't help me now, you guys
And all you sweet girls with all your sweet talk
You can all go take a walk
And I guess that I just don't know
And I guess that I just don't know

I wish that I was born a thousand years ago
I wish that I'd sail the darkened seas
On a great big clipper ship
Going from this land here to that
In a sailor's suit and cap
Away from the big city
Where a man can not be free
Of all of the evils of this town
And of himself, and those around
Oh, and I guess that I just don't know
Oh, and I guess that I just don't know

Heroin, be the death of me
Heroin, it's my wife and it's my life
Because a mainer to my vein
Leads to a center in my head
And then I'm better off and dead
Because when the smack begins to flow
I really don't care anymore
About all the Jim-Jim's in this town
And all the politicians makin' crazy sounds
And everybody puttin' everybody else down
And all the dead bodies piled up in mounds

'cause when the smack begins to flow
Then I really don't care anymore
Ah, when the heroin is in my blood
And that blood is in my head
Then thank God that I'm as good as dead
Then thank your God that I'm not aware
And thank God that I just don't care
And I guess I just don't know
And I guess I just don't know



May 18, 2011

John Cale

John Davies Cale was born on March 9th, 1942 in Wales. He is best known for cofounding The Velvet Underground with Lou Reed in 1965. Cale studied music at Goldsmiths College at the University of London after discovering his love for playing the viola as a child. After graduation from college, Cale moved to New York City and before founding The Velvet Underground, worked with many different artists and bands. During his time with The Velvet Underground, he sang and played the viola, bass guitar, piano, and organ. Lou Reed and John Cale had very different tastes, and in 1968, John Cale left the band due to his and Reed’s constant creative disagreements.

John Cale began his solo career in the 1970s, and released his best known solo album Paris 1919 in 1973. After leaving The Velvet Underground, and establishing a solo career, Cale produced and collaborated with other bands. During his solo career, he worked with Nick Drake, LCD Soundsystem, and Patti Smith, to name a few. Cale was heavily involved in the New York drug scene in the 1960s and 1970s, his drug of choice being cocaine. "In the '60s, for me, drugs were a cool experiment... In the '70s, I got in over my head." During this time, from 1968 to 1971, he was married to famous American fashion designer Betsey Johnson. Cale married and divorced two more times and has one daughter from his last marriage. Today, John Cale lives in Los Angeles, California and still performs, either with his band or with other musicians.









Sterling Morrison

Sterling Morrison was born Holmes Sterling Morrison, Jr. on August 28th, 1942. He was born and raised in East Meadow, New York. He studied the trumpet as a child, but switched to guitar when his teacher was drafted. Sterling Morrison attended Syracuse University and majored in English. This is where he met Lou Reed, who was also English major, and Maureen Tucker’s brother, his roommate. They separated when Morrison dropped out but reunited in New York City in 1965, which is where The Velvet Underground got its start. Once Lou Reed and Sterling Morrison reunited they began The Velvet Underground with a friend of Reed’s, John Cale. Morrison’s role in the Velvet Underground was primarily playing the guitar or bass, although the bass was not his favorite. The role of lead guitar fluctuated between Morrison and Reed until their third album, when the role became Morrison’s. Morrison was able to finish his studies at City College in 1970 while The Velvet Underground was stationed in New York City for an extended period of time. When the band moved to Texas, Morrison earned his PhD in medieval studies from The University of Texas at Austin. Morrison enjoyed Texas so much that he decided to stay. His last performance with The Velvet Underground was in Houston, Texas on August 21st, 1971. When the band headed back to New York City, Morrison accompanied them as far as the airport, with an empty suitcase in hand, until he informed them, at the gate, that he’d decided to leave the band. After that, Morrison’s music career simmered. He continued to perform occasionally in Texas, but only for his own personal enjoyment. He worked with a few bands throughout Texas, most notably The Bizarros. While he did not play with The Velvet Underground again until the 1990s, he did perform with his former band mates; Cale, Reed, and Tucker, on various occasions. For the most part, throughout the 1980s, Morrison became the captain of a tugboat. Morrison married a woman named Martha and they had two children, Mary Anne and Thomas. In the early 1990s, The Velvet Underground reunited for a European tour, both headlining and opening up for U2. There were thoughts of an American tour, however tensions grew during the European tour and that idea was nixed. In 1994 Morrison went on tour with Maureen Tucker’s band. He was also diagnosed with non-Hodgkin’s lymphoma in 1994, which he died from on August 30th, 1995, two days after his 53rd birthday.

Track Listing

Side One
  1. Sunday Morning (written by Lou Reed, John Cale)
  2. I'm Waiting for the Man (written by Lou Reed)
  3. Femme Fatale (written by Lou Reed)
  4. Venus in Furs (written by Lou Reed)
  5. Run Run Run (written by Lou Reed)
  6. All Tomorrow's Parties (written by Lou Reed)
Side Two
  1. Heroin (written by Loud Reed)
  2. There She Goes Again (written by Lou Reed)
  3. I'll Be Your Mirror (written by Lou Reed)
  4. The Black Angel's Death Song (written by Lou Reed, John Cale)
  5. European Son (written by Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker)

May 16, 2011

Nico


            Of the five musicians collaborating on this album, Nico is the only one who was not a member of the Velvet Underground.  Nico was born Christa Paffgen in Cologne, Germany on October 16, 1938.  She spoke five languages: German, English, Italian, Spanish, and French.  Her career started at thirteen when she left school to pursue modeling.  She moved to Berlin and then Paris.  While on a modeling job the photographer, Herbert Tobias, gave her the nickname Nico, which she went by for the majority of her life.  In 1962, Nico had a son, Christian Aaron Paffgen.  The father is thought to be Alain Delon, a French actor, but he has always denied it.  Christian was raised by Delon’s mother most of the time, eventually being adopted by her.  Nico recorded her first single, I’m Not Sayin’/The Last Mile in 1965 after she met Brian Jones, guitarist for the Rolling Stones.  Later that same year, Nico was introduced to Bob Dylan, who wrote I’ll Keep It With Mine for her, which she used on her debut album, Chelsea Girl, in 1967.  She was then introduced to Andy Warhol and became one of his “Warhol Superstars,” a group of New York City personalities whom Andy Warhol promoted throughout the 1960s and early 1970s.  Nico starred in several films, including Chelsea Girls, Sunset, The Closet, and Imitation of Christ.  The Velvet Underground and Nico met through Andy Warhol, who suggested that they collaborate on The Velvet Underground’s debut album, The Velvet Underground & Nico.  Both parties reluctantly agreed and Nico sang the lead and backup vocals on four songs: Femme Fatale, All Tomorrow's Parties, I'll Be Your Mirror, and Sunday Morning.  Throughout the 1970s, Nico became close with French director, Phillipe Garrel.  She starred in several of his films and collaborated with him to create the music for a few films.  It is said that she became addicted to heroin after meeting Garrel.  Nico released several more solo albums throughout the 1970s and 1980s: Desertshore, The End, Drama of Exile, and Camera Obscura.  Nico’s last concert, Fata Morgana, was held, and recorded, on June 6th, 1988.  The last song Nico recorded was Your Kisses Burn, a duet with singer Marc Almond, and was released on his album after her death.  Nico’s life was cut short by a tragic bicycling accident in Ibiza on July 18th, 1988..  While Nico had been a heroin addict for over fifteen years, she had recently quit and was practicing a healthy lifestyle of good eating and bicycle exercise.  While bicycling in Ibiza, on vacation with her son, Nico suffered from a minor heart attack and fell off of her bike, hitting her head and going unconscious.  She died later that night from, what was discovered later as a severe cerebral hemorrhage.

May 15, 2011

The Velvet Underground and Andy Warhol

The Velvet Underground is commonly associated with Andy Warhol and The Factory, and in 1965, Andy Warhol became the manager of the band. Unlike many other managers, Warhol wanted the band to have complete freedom over their music. In order to try and make the band popular, Warhol took them on his multimedia roadshow called “Exploding Plastic Invisible.” The show ran for one year (1966-1967), the band played shows in New York City, Canada, and throughout the United States. While providing music on the roadshow, the band was first known as “The Erupting Plastic Enevitable” and then later as “The Exploding Plastic Enevitable.”

For their first album, Warhol suggested that the band feature a German singer named Nico. At first, Lou Reed was against featuring Nico, but later ended up listening to Warhol’s suggestion. In order to make it known that Nico was not a member of The Velvet Underground, Lou Reed suggested that the album be called The Velvet Underground & Nico.  In addition to helping The Velvet Underground get their start and begin their first album, Andy Warhol helped them get a record contract with MGM’s Verve Records.

May 9, 2011

Maureen Tucker

Maureen Tucker is best known as the drummer and co-lead vocalist of The Velvet Underground. She was born in Levittown, New York on August 26th, 1944.  Maureen began playing the drums at age nineteen and was a very unique drummer. She rarely used cymbals when she played, and she also, unlike most other drummers, stood up when she played in order to have better access to the bass drum. She left the band in 1971, shortly after Lou Reed.  After leaving The Velvet Underground, she performed with other bands and spent some time as a solo artist.


Lou Reed

Born Lewis Allan Reed on March 2nd, 1942, in Brooklyn, New York, Lou Reed is best known as a guitarist, vocalist, and principal songwriter of The Velvet Underground. He began writing and recording songs about sex and drugs, which had not been popular in rock and roll before the 1960s. During the 1960s, The Velvet Underground was not very popular, they became better known after the band broke up. Their best known album: The Velvet Underground and Nico was titled by Lou Reed. He wanted to make it clear that Nico was not a member of the band. While performing together, Nico and Lou Reed had a brief personal relationship but then the band broke up. Their last album, Loaded (1970), held the band's two most comercially popular songs: "Rock and Roll" and "Sweet Jane". After the album was released, Lou Reed left the band and began his career as a solo artist in 1971. His first hit song as a solo artist came in 1972 with "Walk on the Wild Side".  Since going solo, he has performed with other well known artists such as Yoko Ono, Sean Lennon, and Patti Smith.  Today, Lou Reed still performs as a solo artist, but he also has a passion for photography.


April 29, 2011

The Velvet Underground & Nico Album Cover



This is the album cover, designed by Andy Warhol, for the 1967 Velvet Underground album, The Velvet Underground & Nico.

Join Us...

The Velvet Underground is a rock band that became famous in the 1960s.  This blog is an exploration of everything involving The Velvet Underground.  You will see a variety of posts on here ranging from song analyses of a few of the songs from The Velvet Underground's album, The Velvet Underground & Nico, released in 1967, to profiles of the different members of this legendary rock band.  Throughout our research we found various interesting facts that you may not have known about the Velvet Underground.  We will look into their connection with Andy Warhol and different band names in depth through several blog posts.  Thanks for joining us on our journey underground with The Velvet Underground.
~ Grace and Maya